Monday memes because Monday needs as much LOL as possible, right? I am going to pretend I can read your mind for a second. It's possibly Mondays - and most likely it's hell. Am I
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On April 22, watch a virtual discussion on the book, featuring the writer Edmund White in conversation with T features director Thessaly La Force, that will address questions from readers. And, in the weeks leading up to the event, look for articles on the work and its author at tmagazine.com . OK ......WHAT IS THIS DOING HERE....Back in the year 2000, when the remake of The Talented Mr Ripley (Anthony Minghella, UK, 2000) came out, I wrote a piece for Senses of Cinema ( here ) which began : In 1976 I met Patricia Highsmith at her house in Moret, a tiny village near Fontainebleau. The encounter did not last very long, perhaps three quarters of an hour, and did not lead to any enduring correspondence. Highsmith’s distraction at the presence of this Australian enthusiast was not allowed to last. I missed the local train back, walked all the way to Fontainebleau and allowed a couple of things to stick in the memory which I will refer to later. Let me start a...
Originally published in ‘The Oxford Student' by Olivia Sung For those of us who pine for the glory days of a bygone era, when fashion was unashamedly devoted to the cause of celebrating and flattering the female figure, Lena Hoschek’s latest collection feels like a refreshingly nostalgic gem tossed into a vastly modern pool. She causes a stir – she demands a second look. Sending her models down the catwalk in the kind of fluid-but-structured tailoring that might have earned her a position as one of Christian Dior’s top ateliers during those legendary New Look years, Hoschek is daring to do what many of her contemporaries shy away from: manipulating the silhouettes of 1940s and 1950s sirens into a 21st century context, with a playful confidence that illuminates her gift – she knows that women want to turn heads, and she knows how to help them do it. With so much emphasis on innovation these days, returning to form seems like a cop-out. A cli...
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